I am interested in working on works that require their presence through a reflection of their physical-formal constitution. For me it is important that the material-constructive condition of each proposal is capable of enhancing, accessing and even exceeding the strategic associations with / from the tradition (history) of art or with / from imaginary alien to it.

The development of my personal work pivots between a decision to produce from the projectual-possible (as a place of enunciation); an intimate questioning of how we conceive / imagine / translate the world at the concept-experiential level; and an interest in interacting heterogeneously with directions, visualities and constructive dynamics, both of modern formal art and of other recent dates.