For its first participation to NADA Miami, N.A.S.A.L. is pleased to present Modos de Aguante, by Armando Rosales (1987, Venezuela).
Armando Rosales’s work fluctuates between the conscious and the intuitive as tools to question the relationship between the intimate, the institutional, and the political. He uses sculpture and installation to confront the viewer while exploring form and synthesis, seeking insights into how the mechanisms that shape our behavior operate within a given context and how they connect to the body as a vehicle for learning. In this presentation, Rosales shows a body of work created within the confines of his domestic environment, assembling objects from accumulated materials. Modos de aguante stems from an effort to bypass language: a material essay where form links directly to physical distress, pressure, and inflammation as signs of a body in trouble. Scars and indentations run across varied materials, highlighting decay and a forced sense of togetherness. Fabric versus metal, plastic versus stone, soft tissue hardened—racing and pacing—these pieces embody frozen actions, untranslated interpretations of the unknown. An exploration without a machete to clear the dense forest ahead.
